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Thursday, October 07, 2004

Somebody say HO



Mr. Magic's Rap Attack Radio Show mp3's circa mid-late 80's...[LARGE FILES]

show 1
[Right Click and Save Please]

show 2
[Right Click and Save Please]

and...

These two are from "In Control" with Marly Marl & DJ Pete Rock from August 12, 1989 also on NYC's WBLS (on #2 you got a guest DJ halfway through, DJ Scratch from EPMD)..

show 1
[Right Click and Save Please]

show 2
[Right Click and Save Please]

Here's a bio on Mr. Magic via AMG ( I'm pretty sure they got the years wrong on the 3rd unheard, that came out in 04 not 1994)

An important figure in the world of hip-hop radio, Mr. Magic debuted in 1983 on WBLS-FM in New York City with the first exclusive rap radio show to be aired on a major station. Billing itself as Rap Attack, Magic's show featured Marley Marl as the DJ and Tyrone "Fly Ty" Williams as the show's co-producer. Magic's reign on the New york City airwaves lasted six years and was instrumental in broadening the scope and validity of hip-hop music. Magic also spent time as a producer, working on the Force MD's "Let Me Love You" and "Forgive Me Girl," as well as releasing a series of compilation albums from his radio show titled Mr. Magic's Rap Attack. Nearly 20 years after his radio debut, Mr. Magic made the transition to the digital realm and helmed Wildstyle, the rap channel for the new millennium's hottest video game, Grand Theft Auto: Vice City. His early contributions to hip hop, both as a producer and performer, were documented by the Stones Throw label in 1994 on the collection Third Unheard: Connecticut Hip Hop 1979-1983.

Marley Marl's bio via VH1:

One of hip-hop's first (and finest) superproducers, Marley Marl was an early innovator in the art of sampling, developing new techniques that resulted in some of the sharpest beats and hooks in rap's Golden Age. As the founder of Cold Chillin' Records, Marl assembled a roster filled with some of the finest hip-hop talent in New York: MC Shan, Big Daddy Kane, Biz Markie, Roxanne Shanté, Kool G Rap & DJ Polo, and Masta Ace. His production work for those and many other artists generally boasted a bright, booming, and robust sound that -- along with his ear for a catchy sample -- helped move street-level hip-hop's sonic blueprint into more accessible territory. Most important, though, were his skills as a beatmaker; Marl was among the first to mine James Brown records for grooves and also learned how to craft his own drum loops through sampling, which decreased hip-hop's reliance on tinny-sounding drum machines and gave his '80s productions a fresh, modern flavor.

Marl was born Marlon Williams on September 30, 1962, and grew up in the Queensbridge housing project in Queens, NY. He became interested in music through local talent shows and neighborhood parties and became an accomplished DJ during rap's early days. He did mixing work on a number of singles for the old-school hip-hop/electro label Tuff City and started up his own Cold Chillin' label, which he initially ran out of his sister's apartment in Queensbridge. Marl set about recruiting for what became one of rap's first talent collectives, the Juice Crew. He caught his first big break in 1984 when he produced Roxanne Shanté's "Roxanne's Revenge," one of many answer singles inspired by U.T.F.O.'s underground smash "Roxanne, Roxanne"; luckily, "Roxanne's Revenge" was the biggest and it put artist, label, and producer on the map. Marl trumped it by helming "The Bridge," an ode to Queensbridge by his cousin MC Shan that became the unofficial Queens rap anthem and inspired a spirited feud with Bronx native KRS-One. With Marl's success came the opportunity to produce artists outside the Cold Chillin' stable, which he did with the monumental Eric B. & Rakim single "Eric B. Is President," as well as full-length albums by Heavy D & the Boyz.

The end of the '80s is often referred to as hip-hop's Golden Age, a time when the form's creativity was expanding by leaps and bounds. Marl's Juice Crew was an important force in ushering in this era thanks to its advances in lyrical technique and the distinctive personalities of emerging stars like Biz Markie and Big Daddy Kane. With business at Cold Chillin' booming, Marl put out the first full-length release under his own name in 1988 (he'd previously recorded the single "DJ Cuttin'" in 1985 with the alias NYC Cutter). In Control, Vol. 1 was mostly a showcase for various Juice Crew affiliates to strut their stuff, most thrillingly on the legendary, larger-than-life posse cut "The Symphony." Marl scored his greatest crossover success in 1990 by helming LL Cool J's Mama Said Knock You Out; bolstered by Marl's state-of-the-art production, the album restored LL's street cred while becoming his biggest seller ever, making Marl an in-demand remixer. 1991 brought the release of In Control, Vol. 2, which unfortunately displayed signs that the Cold Chillin' talent pool was being depleted.

After working with TLC on their 1992 debut, Marl remained mostly quiet for a few years; 1995 brought the release of House of Hits, an excellent retrospective of his best productions over the years. Splitting off from Cold Chillin', Marl spent several years in a legal battle over money and ownership rights that, in 1998, finally resulted in his being awarded control of all the songs he'd produced for the label. In the late '90s, Marl's status as a high-profile producer was restored thanks to his work with artists like Rakim, Queensbridge's own Capone-N-Noreaga, and Fat Joe. In 2001, Marl put together another compilation of original productions with guest rappers for the British BBE label, titled Re-Entry. ~ Steve Huey, All Music Guide



(good looks wicked 22)
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